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Movements
  1. 01 Requiem aeternamEternal rest Introit4–5 min
  2. 02 Kyrie eleisonLord, have mercy 2.5–3 min
  3. 03 Dies iraeDay of wrath Sequence2 min
  4. 04 Tuba mirumThe trumpet 3–3.5 min
  5. 05 Rex tremendaeKing of fearful majesty 2 min
  6. 06 RecordareRemember 5–6 min
  7. 07 ConfutatisThe accursed 2.5 min
  8. 08 LacrimosaTearful day 3 min
  9. 09 Domine JesuLord Jesus Christ Offertory3.5–4 min
  10. 10 HostiasSacrifices and prayers 4 min
  11. 11 SanctusHoly 1.5–2 min
  12. 12 BenedictusBlessed 5 min
  13. 13 Agnus DeiLamb of God 3–3.5 min
  14. 14 Lux aeternaEternal light Communion5–6 min
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Vienna · the last year

1791

The year Mozart wrote two operas, the clarinet concerto, Ave verum and dozens of dances for court balls. The Requiem he never finished.

January2 ·

The last piano concerto

The Concerto in B flat, K. 595, is entered in his own catalogue of works. It is the last of twenty-seven.

Dances for the balls

As court chamber composer Mozart writes minuets, German dances and contredanses for the balls in the Redoutensaal. This is his official job, the one the court pays for.

February1 ·

Death of Anna von Walsegg

The wife of Count Franz von Walsegg dies at twenty. A few months later the count will anonymously commission a requiem in her memory.

March1 ·

Last appearance as a pianist

At a concert given by the clarinettist Joseph Bähr, Mozart plays the Concerto K. 595. He will not play in public again.

May1 ·

A post at St. Stephen's

The city council appoints him unpaid assistant to the cathedral Kapellmeister, with the right to succeed him. A steady church post he had long wanted.

June3 ·

Constanze leaves for Baden

Pregnant, Constanze goes to take the waters. Mozart stays in Vienna to work on The Magic Flute and writes to her almost daily. Most of this year's letters come from here.

'Out of sheer boredom'

Out of sheer boredom I composed an aria for the opera today.

The opera is The Magic Flute.

Ave verum corpus

Forty-six bars for choir, written in Baden for the local choirmaster Anton Stoll for the feast of Corpus Christi. One of his simplest and best-known works.

July4 ·

Süssmayr is already around

Tell Süssmayr, that silly fellow, to send me the score of the first act, from the introduction to the finale, so that I can orchestrate it.

Franz Xaver Süssmayr, pupil and assistant, will be finishing the Requiem within six months. The tone is domestic, almost familial.

La clemenza di Tito commissioned

Prague orders an opera for the coronation of Leopold II as King of Bohemia. The deadline is a few weeks. The recitatives, by tradition, will be written by Süssmayr.

The Requiem commissioned

The anonymous patron's intermediary brings a letter and an advance. The exact date is unknown; by later accounts it happened in the summer, before the trip to Prague.

A son is born

Constanze gives birth to Franz Xaver Wolfgang, the sixth child. Two will survive: he and Carl Thomas.

August1 ·

Departure for Prague

Mozart, Constanze and Süssmayr travel to the coronation festivities. He finishes Tito on the road and on the spot.

September2 ·

Premiere of La clemenza di Tito

On coronation day, at the Estates Theatre in Prague. The empress, so the story goes, called it 'German rubbish'. The public took it better.

Premiere of The Magic Flute

The Theater auf der Wieden, outside the city walls, Schikaneder's company. Mozart conducts the first performances. He finished the overture and the March of the Priests two days earlier.

October4 ·

'The silent approval'

I have just come back from the opera. It was as full as ever. But what pleases me most is the silent approval. You can see how this opera is gaining ground. And now I have orchestrated almost all of the rondo for Stadler.

The opera is The Magic Flute; the rondo is the finale of the Clarinet Concerto.

The glockenspiel joke

During Papageno's aria with the glockenspiel I went behind the scenes, as I felt like playing it myself. For a joke, when Schikaneder paused, I played an arpeggio. He was startled, looked into the wings and saw me.

The eleventh performance of The Magic Flute. Schikaneder was playing Papageno.

Salieri at the theatre

Salieri listened and watched with the greatest attention, and from the overture to the last chorus there was not a single number that did not draw a bravo or bello from him.

Mozart himself invited Salieri and the singer Caterina Cavalieri to The Magic Flute and drove them there in his carriage. Seven weeks before his death.

The Clarinet Concerto

Written for Anton Stadler and his basset clarinet with its extended low register. Stadler gives the premiere in Prague. Mozart's last instrumental work.

November2 ·

The last entry in the catalogue

The Little Masonic Cantata, K. 623, performed at the opening of the lodge's new rooms on 18 November. Mozart conducts. It is the last work he entered in his own catalogue, and the last he heard performed.

He takes to his bed

Swollen hands and feet, fever, vomiting. Constanze and her sister Sophie nurse him. By later accounts he goes on working on the Requiem in bed.

December4 ·

The evening of 4 December

According to the singer Benedikt Schack, writing thirty-six years later, that evening Mozart and friends sang through the finished parts of the Requiem. The only source; it cannot be checked.

Death

Around one in the morning. He is thirty-five. The physician records the cause as 'severe miliary fever'.

The funeral

A blessing at St. Stephen's, burial at St. Marx cemetery under third-class rules: no headstone, several bodies to a grave. The site was lost.

The memorial service

At St. Michael's, arranged by Schikaneder. The finished movements of the Requiem, the Introitus and Kyrie, are performed. The first known hearing of the work.

What came after

  1. Eybler starts and stops

    Constanze hands the score to Joseph Eybler; he orchestrates part of the sequence and returns it. Süssmayr will finish.

  2. The anniversary it was ordered for

    One year since Anna von Walsegg's death. The Requiem is not ready.

  3. First complete performance

    Vienna, Jahn's Hall, a benefit concert for Constanze arranged by Baron van Swieten.

  4. Walsegg conducts 'his' Requiem

    Wiener Neustadt. The count copied the score in his own hand and put his own name on it.

Two things are missing here on purpose: the letter to Da Ponte about a 'song of death', which is considered a forgery, and the 'grey messenger', known only from Constanze's account. Both are on the Myth or fact page.