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Movements
  1. 01You are hereI. Allegro maestosoDusk20 min
  2. 02You are hereII. Romanze. LarghettoSpring by moonlight10 min
  3. 03You are hereIII. Rondo. VivaceMorning10 min
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Chopin · the year of the concerto

1830, Warsawa year in letters to a friend

We know how this concerto came into being from Chopin himself: all year he wrote about it to Tytus Woyciechowski, a friend who was then living in Poturzyn. Let us read these letters together - from the first mention in March to the evening of 11 October and the morning after.

17 and 22 March 1830

Two concerts at the National Theatre

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Two concerts at the National Theatre

Chopin, twenty years old, plays his previous concerto, the one in F minor, twice for the Warsaw public. The conductor is Karol Kurpiński. Right after these evenings Chopin starts on new music.

The programme of the evening of 11 October 1830

This concert was called the farewell concert only later. We know the order of the numbers from the letter Chopin wrote to Tytus the next morning.

  1. 1Symphony by Görnerorchestra

    'Görner's Symphony began' - Chopin writes nothing more about it.

  2. 2Allegro from the Concerto in E minorFryderyk Chopin, piano; conducted by Carlo Soliva, an Italian, professor of singing at the Warsaw conservatory

    The first movement was played apart from the rest of the concerto. Chopin played a piano by the Viennese maker Streicher and wrote that he had played it with complete ease. 'Thunderous applause.'

    Listen: I. Allegro maestoso
  3. 3Aria with chorus by Carlo SolivaAnna Wołków, singer, a pupil of Soliva; chorus

    'Dressed like a little angel in blue', she, in Chopin's words, 'sang it nicely'. The composer of the aria conducted it himself.

  4. 4Adagio from the Concerto in E minorFryderyk Chopin, piano

    The slow movement, the Romance, came only after the aria: it was the custom then to divide a large work with other numbers.

    Listen: II. Larghetto
  5. 5Rondo from the Concerto in E minorFryderyk Chopin, piano

    The finale followed the slow movement at once. Chopin's letter has not a word on how they were received - only that they were played.

    Listen: III. Vivace
  6. Interval

    The audience came up from the buffet onto the stage to congratulate Chopin.

  7. 6Overture to the opera 'William Tell' by Gioachino Rossiniorchestra

    It opened the second half.

  8. 7Cavatina with recitative from the opera 'La donna del lago' by Gioachino RossiniKonstancja Gładkowska, singer, a pupil of Soliva

    A cavatina is a short aria; this one was written out at a different pitch, comfortable for the singer's voice. Chopin remembered that Gładkowska came out 'in white, with roses on her head'.

  9. 8Fantasy on Polish AirsFryderyk Chopin, piano, with orchestra

    The longest applause came after this number. 'This time I understood myself, the orchestra understood itself, and the stalls caught on,' Chopin wrote. After the last mazurka, a Polish dance, he was called back and 'had time to bow four times'.

Three weeks later, on 2 November, Chopin left Warsaw. This evening was his last performance in his homeland: at the end of November an uprising began in Warsaw, and he never returned to Poland.